Since we’re on a roll with discussions of Lautner in our Building of the Week series, we’re just going to keep on rolling. The other year when the MAK had their tour, after visiting the Harpel House (see last week’s BOTW installment) it seemed appropriate to walk up the street and have a nice view of the Chemosphere House. Here you can see them from Google Earth, with the hexagonally-based Harpel House appearing as the long white bar in the lower right, and the octagonal Chemosphere to the left.
The next house in our series on John Lautner is the Harpel House. Nine years after the Jacobsen House, we can see that structure is clearly a major theme in John Lautner’s work. Harpel displays his ongoing interest in developing a fully integrated and expressed structural system, for each project, as an important architectural value.
Harpel is located a few miles west of the Jacobsen House, just down Mulholland and on the opposite side about a block. From the road, there is a long driveway that goes uphill to a level pad where the house sits. You can get a pretty clear picture of the siting of the house from the Google Satellite view:
A few years ago, the John Lautner Foundation put on a really great tour of several Lautner homes, as part of the centennial celebration of his birth. I went on the tour and wrote up a few of those, but not all of them, on my old blog, Creatures of Prometheus. As part of our Building of the Week series, I thought I’d resurrect some of those old posts, and eventually write up the others here at Parson Architecture: The Blog. I fail to see how anyone could get too much Lautner!
The Jacobsen is on Multiview Drive, just below Mulholland Drive, overlooking the San Fernando Valley above Studio City and Universal City. Multiview is a pretty good street for architecture; Schindler’s wonderful Kallis House, with its butterfly roof and quirky stone fireplaces, is nearby on the same side of the street.
This is an early-career project for Lautner, dating from 1947. According to Wikipedia, he had left Frank Lloyd Wright’s employment and gone off on his own by that time, although he did not finally obtain his own architecture license until 1952.
So, this house is the work of an unlicensed individual who would have found himself in violation of California law had he have claimed to have been an architect. Ahem. Don’t get me started.
The other houses on the tour were better concealed from the road; this house reveals itself pretty directly to you as you walk up the driveway:
If you’ve ever driven back and forth on the 5 freeway between L.A. and Orange County, you’ve driven right past one of my favorite buildings and probably not even realized it. There are a lot of really interesting buildings in SoCal by unknown or forgotten architects, and a lot of interesting buildings that probably got built without an architect’s involvement at all. Of the latter group, Manny’s Auto Repair, at 4849 Telegraph Road, is near the top of my list.
If you’re driving south, watch the road to your left just after the 710 interchange. Northbound drivers should keep an eye out to the right as you come away from the Citadel Outlets. You’ll probably be going pretty slow anyway, and it shouldn’t be that hard to spot. Look for the glorious-but-slightly-faded red-orange building with MANNY’S AUTO REPAIR emblazoned across the top in big block letters. (Click the images to embiggen and open in a new window.)
What makes this building so great? Two things.
A few times a season, my sweetie and I like to hear a classical music performance at the Valley Performing Arts Center at Cal State Northridge. When we do, one of my favorite parts of the evening is to visit the wonderful mosaics of musicians playing different instruments that line the wall of Cypress Hall next door. As we walk along the sidewalk that takes us from parking to the music hall, I feel like I’m visiting old friends when we pass by the mosaics, and it always adds to my generally-already-upbeat pre-concert mood.
Take a moment to look at them carefully yourself, and see what you observe about them. Then read my comments at the end. (The titles in the captions are my made-up interpretations.) If you want to get the overall picture first, check it out here on Google street view. The link should open in a new tab and go straight to the view of the wall with the mosaics.
Here are all eight, as they appear left to right, individually and close-up. Click any of them to open the image larger in a new tab.
After being closed for some time for renovations & restoration, Frank Lloyd Wright’s epic Hollyhock House is open again to the public. The other week they had a special grand re-opening event where the house was open to the public for free, all night. Naturally, I had to go!
There were throngs and throngs of people who turned out, and it was very exciting to me that standing in line to see great architecture could be such a popular event for a Friday night in Los Angeles. Angelenos love architecture, and their enthusiasm was on display that night. The downside was that the event’s organizers were, by their own admission, unprepared for, and overwhelmed by, the huge turnout. It kind of leaves one to wonder what they did expect, but that’s a discussion for another time and place. The house looked great, and that’s really the main thing.
So, without further ado, here’s what I saw. For reference, here is a floor plan with the area open to the public for the event colored in red. North is to the left in this plan. Click any image to open full-size in a new tab.